Djembe
Intercultural Magazine of Concordia College
Poetic Reflections
Dr. Bill Snyder
WHAT WORK MIGHT BE
Off Zanibar
I stand at the rail, diesels throbbing finders, wrists,
feet through the deck-plate steel. Waves
follow waves—there must be a breeze—but
the ferry is fast, so the real breeze is impossible
to feel, just the wind from our speed. A gull
skims foam tips, scalloped troughs. Then ahead,
on a thick, blue swell, a little canoe—hollowed log,
outrigger float. Another wave, and we’re beside it.
Deep, black skin, salt-threaded shorts, two men
sit on narrow benches bow and stern—if a craft
so small could have a bow and stern. We pass close.
The canoe topples through our wake, plunges
away behind, the two men bobbing.
If I had been working that canoe, with the white ship
full ahead, cutting close, I would have cursed, spit,
clawed at the cracks of the sea. But these men
did not, too busy hefting oars, hauling nets,
coiling sisal rope. And as they disappear
to tiny dot, I imagine, for them, just the opposite—
their quiet savor of steady breath and muscled limb,
their water-knowledge of current and depth, their delight
in the canoe’s stability, its history, its form—outrigger
lashed to log with vine, sail tucked
to slender to mast, hull carved with axe
and adze to woman-shape, shelter and cleft.
COFFEE YARD
We learn coffee here, students and I—
bananas chandeliered above the brown-earth yard,
two cows stamping mud and dung, the cooking shed,
the thatch and smoke, We’ve done
the work of it, schooled by the farmer: pinched
berries from squat green bushes, shredded
red-green husks in a crank-it machine,
pounded hard white kernels. Then roasting our beans
in a fire-black pot, crushing them, hot
and shiny into grounds with tall, wooden pestles
brought high over our heads in piston twos.
And now we drink the coffee, our coffee, take
photographs, make student-jokes—our laughter
like snapping glass, brittle and sharp
before the neighbor women at the coffee yard’s edge,
and the children who’ve come to watch us.
A young woman sits on a bench, leans against
the farmer’s house. She wears kanga—orange,
green, white—and cracked, flattened, yellow thongs.
A gray cat lies in her lap. She kneads
its front paws, her finders smoothing, squeezing up
to inner toes like a little dance,
the threading of a loom. Small girls
sit beside her, but it’s as if she’s alone—this time
to caress a cat, this moment of idel, this moment
brought by us, our being here. What does she think
of our blondes and blues, our daintiness,
our language she doesn’t know, or is
too shy to speak—we don’t speak to her?
The students mill, ready to go. But I smell cow,
wood smoke and fire, the coffee berry sap
on my fingers. Something inside me
has filled. I feel it in the well of my throat, the rounds
of my eyes, the meat of my lips, lips held open
of their own accord, like the girl’s, as she
watches us, her eyes pensive, alert, as if
she understands how we fit here, how we
do not, how she, how we might
explain this day, might explain such distance.
BOY WITH MAIZE
We turn, slowly, the road bucked and torn,
the dalla dalla full, listing left
on exhausted springs. By the corner, on a seam
of dry grass, a boy—shirt torn at a shoulder,
collar stretched and drooping, pant legs rolled—
squats behind a rusty grill, grilling maize,
five yellow cobs, blackened kernels
facing up and ready, bottoms roasting still.
At the boy’s bare feet, a heap
of shucked green husks
he will wrap the ears in as he makes his sales.
I’ve bought these corns in Iringa, Mbeya, Dodoma.
I know the big, tough, sweet kernels, the taste
of smoke, the traces of grit
along the rows. I see his eyes. He sees
mine, mine easy to see—this mzungu—
sitting here, staring out, white, transparent,
Like the window itself. Or that’s how I feel,
how I think the driver, the riders stuffed around,
the conductor shouting Ubungo, Ubungo
must see me. But I’m glad to be here, glad
the boy has noticed, glad to carry away
this flicker of spirit between us, the dalla dalla
swaying now with its own slow knowledge
of speed. I don’t know. Maybe nothing’s
been gained at all. The boy won’t remember me.
Nor I him, really—I’ll never know
just what to remember: his clever fingers, his
sharp eyes, the hungry bones
of his heart and jaw. And surely, surely,
I’ll never know the way of maize.